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Hilary Mantel, who will publish the final book in her Thomas Cromwell trilogy this year. “Why are we putting on plays written by long-dead, white, fascist, racist men, and then putting some black people in it? Why don’t we put more money into plays about people Ian McKellen would never be able to perform?” That change needs to be seen in the writing, she says. Teixeira considers herself lucky that she’s rarely been cast because of her race – but adds that she “hates” the term “colourblind casting”. “It’s probably why I became an actor, because in Brazil everyone is performing all the time.” She links this urge to perform to her heritage: born in Bradford to a black Brazilian father and white British mother, she was raised in El Salvador, returning to the UK when she was eight. It’s so revealing – which is probably why I love it. “It’s one of the most terrifying performances: you’re retelling an ancient story that’s been told millions of times before, in your own words, no one’s directed you, you have nowhere to hide. Live performance is still her main love, however: Teixeira is part of storytelling group the Embers Collective. “It’s funny: so many people are wanting to use the term ‘controversial’ because it’s about three people falling in love together, but it’s never been a word we used,” says Teixeira. She was so desperate to get the part, she wrote a pleading letter to the director Athina Tsangari after her audition. “It’s nothing to do with maths – thank God, because I would not be able to act that!” says Teixeira. She stars opposite Maisie Williams in Sky’s crime caper Two Weeks to Live, playing a “stone-cold” cop, and in Trigonometry – a BBC Two comedy written by Duncan Macmillan and Effie Woods about a flatshare that turns into a polyamorous relationship. Teixeira is a memorable performer, even in supporting roles – but this looks to be a break-out year. Just two days before, gay porn star Armond Rizzo called out a studio for paying its sexually submissive performers less than their dominant scene partners, essentially creating a wage gap between tops and bottoms.Thalissa Teixeira photographed by Suki Dhanda for the Observer. It was the second time in the same week that the gay porn industry was criticized by its actors for unfair practices.
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"Now that I am more experienced, I feel like a model should make no less than 1k." "When I started out I was making $500 per scene," said Nic Sahara. "Back when I worked for Boycrush we were only paid 400-500 per scene," one guy replied while another said that as recently as last year, he only received $300 for his first scene. "If you're a performer making less than 1k this isn’t me coming after you in any way," he said, "I just want everyone to realize what your worth instead of letting your studio decide for you."Ī number of models responded to the tweet, sharing just how much (or little) they were paid when they started out in the industry, citing specific studios who underpaid their performers. He clarified that he wasn't criticizing the models taking less money, but rather pointing out how studios might be exploiting their naivety.
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As performers can we go ahead and say that no one who is preforming for a studio should be getting paid any less than 1k a scene I hear about some of these new models scene rates and how multiple well known studios are knowingly taken advantage of young performers #1Kornothing- Joey Mills January 27, 2020